“Denk’s playing of this glorius psatiche was all energy and mischievous glee,” wrote The Boston Globe following Denk’s performance of the program in early April. Redeem 27 points if you book by September 5. Early Bookers: 60 discount on first 15 seats 30 on next 10 > Experience Points: Earn 27 points from this tour. “For me, it’s about telling the tale and making it work,” he said. Complete Information About Ragtime in Seattle at The 5th Avenue Theatre. ALADDIN and RAGTIME IN SEATTLE Octo4 Days Fares Per Person: 1120 double/twin 1375 single 1060 triple > Tour is exempt from GST. But the pieces are linked together in their rhythmic spontaneity. “Our bodies condition us to expect such regularity through biological rhythms.” But syncopation works against those rhythms, taking the audience off-balance.Īnd that’s exactly what Denk (the “thinking person’s pianist”) hopes to do with the program, which he brings to Kalamazoo on May 3.įrom Schubert’s difficult “Wandererfantasie” to Stravinsky’s modernist “Piano Rag Music” to Paul Hindemith’s “Ragtime” (which Denk describes as a “player piano gone mad”), the program is certainly off beat. For tickets (starting at 30) and more information the public may visit. Of course, not everyone saw this as a step forward. Ragtime will be presented June 1-26, 2022 (press opening: June 4) at the Mountain View Center for the Performing Arts. “The basic idea all comes down to foiling expectations of regularity, of accent and stress,” writes The Seattle Times. For all its strange implications, though, ragtime was the first form of American music to enthusiastically throw black and white cultures together. Audiences around the country are surprised and delighted to hear Jeremy Denk’s current program of Bach’s Third English Suite, Schubert’s “Wandererfantasie,” and – between the two – seven ragtime (or ragtime-related) works that the MacArthur “Genius” Grant winner calls “an exploration of the joy and wit of syncopation.”
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